In the baroque period, a number of signs indicating specific patterns with which a trill should be begun or ended were used. Hugo Riemann described the trill as "the chief and most frequent" of all musical embellishments. Robert Donington, Baroque Music, Style and Performance The following two notations are equivalent: In those times the symbol was known as a chevron. This has sometimes been followed by a wavy line, and sometimes, in the baroque and early classical periods, the wavy line was used on its own. ![]() In most modern musical notation, a trill is generally indicated with the letters tr (or sometimes simply t) above the trilled note. Such variations are often marked with a few appoggiaturas following the note bearing the trill indication. Sometimes it is expected that the trill will end with a turn (by sounding the note below rather than the note above the principal note, immediately before the last sounding of the principal note), or some other variation. A cadential trill is a trill associated with each cadence.Ī trill provides rhythmic interest, melodic interest, and-through dissonance- harmonic interest. It is sometimes referred to by the German Triller, the Italian trillo, the French trille or the Spanish trino. ![]() The trill (or shake, as it was known from the 16th until the early 20th century) is a musical ornament consisting of a rapid alternation between two adjacent notes, usually a semitone or tone apart, which can be identified with the context of the trill (compare mordent and tremolo). Baroque cadence parfaite (' authentic cadence' trill).
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